Guitarist Vic Juris during the NAC’s 4th phase in Ottawa, Ont., Feb. 28, 2009. Picture by Christopher Pike / Ottawa Citizen

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Vic Juris, a jazz guitar player of astounding abilities perhaps most widely known for their 23-year tenure in David Liebman’s musical organization, passed away Tuesday early morning, relating to a message on his Facebook page related to his buddy and other guitar player Dave Stryker.

This new Jersey-based Juris, was 66. He had been identified 6 months ago, after unexplainable tiredness on their gigs, with metastatic liver cancer tumors. A GoFundMe campaign established right after raised more than $110,000 from fans and buddies to simply help protect their therapy and living expenses.

RIP, jazz electric guitar master Vic Juris back again to movie

Juris played in Ottawa in 2008 with Liebman’s team in the now-shuttered Cafe Paradiso on Bank Street, and therefore look resulted in further gigs and concerts right here with Ottawa musicians John Geggie and Roddy Ellias.

During 2009, before their National Arts Centre Fourth phase concert Juris, Geggie stated: “Lots of men and women know about guitarists like John Scofield, John Abercrombie, Pat Metheny, Bill Frisell and Kurt Rosenwinkel,” Geggie says. “i’m Vic should really be included with that list that is exclusive.

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Geggie said that Juris’s playing at Paradiso with Liebman had completely knocked him down. “The fluid lyricism, the delicate phrasing, the engaging harmonies, the way in which he utilized their pedals plus the traditional electric guitar. These people were revelations in my situation.”

Juris, who had been as humble and down-to-earth I wanted to play with, which is really a good thing as he was talented, simply told this newspaper in 2009: “I’ve played with just about everybody. And, you realize, there’s not space for everyone during the forefront.”

Juris’s peers had the highest respect for him. The late John Abercrombie called him “the… that is greatest there was none better anywhere.” Metheny credited Juris for “inventing brand new methods of contemplating jazz, harmonically and melodically.” Frisell called him “a total monster.”

On Juris’s Twitter page, Stryker penned: “i’m very sorry to report that Vic Juris passed on this morning. Vic will survive through his music, as a beautiful individual and through their numerous pupils.” Listed below are Stryker, in the left, and Juris, regarding the right, playing a duet a few years back:

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Geggie states he made a decision to ask Juris to engage in their show after hearing the guitar player perform last April as a key part of saxophonist Dave Liebman’s quartet that is dynamic Café Paradiso. “The whole band ended up being stunning … a life-changing event for a number of individuals,” the bassist states.

Whenever my colleague that is former Doug interviewed Juris last year, he place it into the guitar player that his stylistic flexibility and range kept him from acquiring the profile of their more famous contemporaries.

Juris replied: “There may be one thing compared to that concept. will always be thinking about all sorts of music and designs. I love crossing boundaries.”

I had just a couple of extremely pleasant conversations with Juris, and also this exchange that is on-the-record very early 2009:

Q: What’s the essential difference between good music and music that is bad? A: What I decide i love and the things I decide we don’t like. I’m at a true point within my life where either I like one thing or We don’t enjoy it. And that can occur for a number of reasons, but there is however a link or there isn’t. Whether or not it’s bad or good is truly as much as the person. The listener determines that.

Q: in the event that you may have supper with any jazz figure, dead or alive, who does it is, and exactly why? A: Wes Montgomery. He’s always been my favourite guitar player. I do believe he’d be an interesting man to spend time with, to pay time with, speaking and possibly jamming a little. Probably he’d give me personally a lesson.

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Q: What are your three wilderness area recordings? 1) The Beatles, Rubber Soul. Decade after ten years we continue back once again to it. The songs on that record are simply amazing. It had been sorts of a departure when it comes to Beatles. They played an even more thing that is acoustic it is simply all therefore great. 2) Jimmy Smith and Wes Montgomery, Dynamic Duo. It is simply a vintage. Pure joy. 3) John’s Coltrane’s Ballads. It’s the Bible for ballad playing. We go here for motivation on a regular basis. It never ever appears old.

Q: you think you’d be doing if you weren’t a musician, what do? A: Oh, most likely photography. We don’t get it done the maximum amount of it’s always been something I want to pursue, to get better at as I like free cambodian dating sites to, but.

Created Victor Jurusz in Jersey City, nj, Juris took up the guitar into the very early 1960s after hearing their father’s Chuck Berry and Howlin’ Wolf documents. Soon he had been embroiled within the stone explosion, specially the invasion that is british and like many teens associated with the age he played in rock bands. He listed Beatles’ tracks among their favourites.

During the early ’70s, he landed a jazz gig with bop-rooted organist Don Patterson, an encounter that led to work well with Jimmy Smith, crazy Bill Davis and finally regular stints when you look at the bands of Phil Woods, Dizzy Gillespie and Chico Hamilton.

By the mid-’70s, he had been jazz that is juggling fusion, doing with Barry Miles and Eric Kloss, and very first encountering Liebman, who was simply additionally hefty into fusion.

When you look at the mid-’80s, Juris had a year-long stint in a guitar duo with Larry Coryell, and soon after teamed up with all the young gypsy electric guitar improviser Biréli Lagrène for a European trip and a recording. Among a number of other tasks, he was a member associated with Gary Peacock Quartet and director that is musical of guitar quintet specialized in the songs of Charles Mingus.

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He joined up with Liebman’s musical organization in 1991, and taught at Rutgers and universities that are lehigh.

On Facebook, Liebman published Wednesday early morning: “There was nobody more real then Vic both as an individual and musician. Their feeling of humour, sincerity, sweet nature and musical abilities had been famous. Vic had been a ‘nice man’ within the real feeling of the cliche, constantly willing to offer a helping hand.

“I became most readily useful guy at Kate and Vic’s wedding with me going around the world to present our music while he spent twenty-three years. He had been the worker that is hardest We have understood, bringing a tape recorder to rehearsals, imploring us to play a voicing a couple of more times in the piano to be certain he comprehended it. Then using it house to rehearse. Commitment beyond the norm.”